【“中國音樂期刊網·學術視頻”上新】路應昆｜舊腔沿用與戲曲音樂的歷史進化（講座片段及訪談視頻）

所屬地區：北京 - 北京發布日期：2025-05-30

發布地址: 北京

舊腔沿用與戲曲音樂的歷史進化“點擊標題跳轉至原文頁面”

路應昆

精彩訪談視頻
摘 ? ? 要:戲曲音樂的創作一直是以沿用舊腔為基礎，這種做法對于應付大量編演新戲的需求來說有很大的便利，但腔調的重復使用又有不小的弊病，而且不重視原創，必然對戲曲音樂的發展高度形成很大制約。藝人在戲曲音樂創新方面也付出過很大的努力，20世紀50—70年代提倡編演新戲（尤其現代戲），戲曲音樂中的原創成分更大幅度增加。20世紀80年代后基于保存“傳統”和維系“劇種特色”的理念，舊腔在新戲中的比重又明顯上升。但“半新不舊”的戲曲音樂很難吸引現今時代的觀眾，戲曲音樂創作落后于時代的狀況越來越突出。新戲音樂的新、舊比例，最終應以廣大觀眾的欣賞需求作為基本依據。關鍵詞:戲曲音樂；舊腔；改編；原創；程式中圖分類號:J609.2? ? ??文獻標識碼:A文章編號:1002-9923（2024）02-0078-10DOI:10.13812/j.cnki.cn11-1379/j.2024.02.008作者簡介:路應昆（1953— ?），男，漢族，沈陽音樂學院特聘教授。基金項目:本文為2011年度國家社科基金藝術學重點項目“清代戲曲音樂史”（項目編號：11AB001）的階段成果。Abstract:?The creation of?Xi Qu?music has always been based on the continuation of traditional tunes, a practice that is convenient for producing a large number of new plays but comes with significant drawbacks, including a repetitive use of melodies and a lack of emphasis on originality, which inevitably greatly restricts the development of?Xi Qu?music. Performers have made considerable efforts in innovating?Xi Qu?music, especially from the 1950s to the 1970s, when there was a push for creating new plays (particularly modern ones), leading to a significant increase in the original components of?Xi Qu?music. After the 1980s, based on the concept of preserving "tradition" and maintaining "genre characteristics," the proportion of traditional tunes in new plays has risen noticeably. However,?Xi Qu?music that is neither completely new nor old struggles to attract contemporary audiences, and the issue of?Xi Qu?music creation falling behind the times is becoming increasingly prominent. The proportion of new and tradition in new?Xi Qu?music should ultimately be based on the appreciation needs of the general audience.Keywords:?Xi Qu?Music (Traditional Chinese opera), Traditional Tunes, Adaptation, Originality, Conventional Patterns

講座精彩片段完整視頻請登錄：https://cmj.ccmusic.edu.cn

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來源：《中國音樂》編輯部

排版：陳 ? 旭

一審：虎延雙

二審：姚? ?嵐

三審：齊 ? 琨

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中國標準連續出版物號：CN11-1379/J

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國際標準連續出版物號：ISSN1002-9923

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